Empire of the Sun artwork
Whether it be on the walls of the Tuscan villa or in the form of the professor’s research, art is ever-present across Luca Guadinigno’s Call me by your name. The Perlman family approaches art as they do food, music or literature: with extreme awe and pleasure rich-palms.com. Among the posters in Elio’s room, one finds the eclectic mix of Peter Gabriel, Mario Metz, The Wounded Man and Venice’s Biennale. Between art and music, there’s even room for some athleticism, as seen with the French Open’s Roland Garros print from 1981.
Woody Allen’s Midnight in Paris provides a much more obvious example. The entirety of the movie revolves around art, its masters and influence across time. Faced with characters such as Pablo Picasso and Salvador Dali, it is no surprise when we see their works appear on the screen.
Despite the nature of its existence, the artwork nevertheless plays a crucial role in the film. It begs the question: what does it mean when art is created for cinematic purposes? Julian Schnabel’s Basquiat is a famous example of this. Unable to show the works themselves due to copyright issues, Schnabel had to recreate Basquiat-inspired paintings for the film.
Retro graphic
When it comes to retro design, there is a variety of elements to consider. This also depends on what you’re working on and the elements available, whether you design an email newsletter, blog, or any other form factor. And when you have the right elements in the right order, taking your audience down memory lane (through retro design) can go smoother.
Brands looking to embrace nostalgic design can follow these strategies: Research the Target Audience – Understand the era that resonates most with your audience. Combine Old with New – Blend vintage aesthetics with modern elements to keep designs fresh. Use Authentic Elements – Incorporate textures, fonts, and colors true to the era. Tell a Story – Nostalgia works best when it evokes memories and emotions through storytelling.
When looking at the graphic design industry, you can observe the shift in design trends over the years. However, one thing has remained constant: the love for nostalgia. Even in 2024, people still enjoy reminiscing about a time when the retro graphic design trend dominated the design space.
Achieving this retro design with Picsart is so simple too. You can grab any photo and simply apply the VHS filter to it. This filter is specifically designed by our own designers to turn your photo into a VHS retro design with a single tap. Optionally, you can go to Stickers and type VHS in the search bar to add in additional objects that will instantly turn your edit to a 100.
The 60s is known as the modern decade that experimented with bright colors, LSD-inspired psychedelia, and fluid patterns. This time is seen as a turning point for graphic design. Visual communication took a very different approach from the earthy tones that dominated the 50s, transitioning to vivid neons. Here are the 1960s trends that are making a comeback.
The years from the 50s to the 90s, especially with the surge of modernism, were experimental in the art world. It’s easy to borrow the visual elements represented in those eras and incorporate them to exemplify today’s designs. But as a business, are you confused about how to include them in your marketing?
Theatrical artwork
Raphael’s Transfiguration ends my exhibit with its dynamic, energetic portrayal of drama through form. Unlike the other pieces, The Transfiguration does not contain the same lighting structure that generates this notion of a stage in the literal sense, but rather utilizes the same color technique to imply an expansive, unusual depth. The figures’ determined, desperate movements force the energy of the piece seemingly outwards into 3-dimensional space, echoing the movements of the Christ figure. The piece portrays the climactic instance of the Gospels; the Transfigured Christ appearing with Biblical figures from the heavens represents a victorious triumph over the evil of sin and death itself. In a sense, this piece is a Biblical curtain call to the stage production of the Gospels; the key players emerge at the absolute height of their emotional involvement. Raphael’s decision to include the scene of the demon-possessed boy heightens the triumphant rise of Christ; mankind cannot perform the miraculous without the presence of the Savior. This piece serves as both the climax and resolution to the exhibit as a whole, providing a resolution through a stage-like use of character drama, even within a 2-dimensional representation.
Theatre has a long-standing relationship with societal commentary, and that hasn’t changed. Now, the focus frequently shifts towards contemporary social issues, and cultural representation has become a crucial part of modern productions. Theatrical pieces openly tackle subjects of restoration and change within societies, leveraging the intimate connection between actors and spectators to prompt reflection and dialogue.
Contemporary handbooks for actors recommended that they visit galleries to study gestures and poses. They ‘ought not to be a stranger to painting and sculpture’, as the theatre critic Charles Gildon put it in 1710.
It was painted by the Venetian master Marco Ricci around 1709, and captures a rehearsal for the opera Pyrrhus and Demetrius. Among those depicted are the castrato star, Nicolò Grimaldi (usually known by his stage name ‘Nicolini’), pausing grandly in front of a harpsichord, and the celebrated soprano Francesca Margherita de L’Epine, seated behind the instrument.
This is not to say that the contribution of the author to the theatrical experience is unimportant. The script of a play is the basic element of theatrical performance. In the case of many masterpieces it is the most important element. But even these dramatic masterpieces demand the creative cooperation of artists other than the author. The dramatic script, like an operatic score or the scenario of a ballet, is no more than the raw material from which the performance is created. The actors, rather than merely reflecting a creation that has already been fully expressed in the script, give body, voice, and imagination to what was only a shadowy indication in the text. The text of a play is as vague and incomplete in relation to a fully realized performance as is a musical score to a concert. The Hamlets of two great actors probably differ more than two virtuoso renditions of Johann Sebastian Bach’s Goldberg Variations possibly can. In general, the truly memorable theatrical experience is one in which the various elements of performance are brought into a purposeful harmony. It is a performance in which the text has revealed its meanings and intentions through skillful acting in an environment designed with the appropriate measure of beauty or visual impact.
